![]() To get footage of the bell ringing, Natasha hits on it but Tangles says it is distorting the audio. However, The Tunnel Movie he takes it as a joke and the group heads to the room where the WWII air raid bell is. They come upon the huge underground lake and while filming, Tangles hears strange noises through the audio headphones. Steven and Peter follow the sound of her screams and the creature's movements. On her own, she stays in silence, but is confronted by the creature, who cracks the camera lens as it grabs at her, dragging her with the small camera still recording. Natasha, panic-stricken, runs off with the night-vision camera. Just as the power switches the light on again, the creature attacks, knocking Peter and Steven to the ground. The main camera loses power, causing Steve to frantically attempt to replace the battery. The Tunnel Movie Upon entering this new room, they find signs of some living being, and a small pile of fresh human eyeballs. Upon reaching another dead-end, Natasha discovers a side route. Steven realizes that the creature is vulnerable to light. However, as Steven shines the camera's light on them, the creature immediately retreats. At one point, the creature attempts to grab Peter. They come to a dead-end with a barred opening into a street above them, and continue searching for an exit. She lets out a scream, attracting the creature's attention, and the terrified group runs. There, Natasha watches as the security guard, with water up to his chest and whimpering with pain from his empty eyesockets, is murdered by what appears to be an emaciated, tall humanoid, who twists his head completely around, snapping his neck. Hearing something, they extinguish all light and use the night-vision camera to look towards the sound. Trying to find a way out, they return to the underground lake. They hide in a room and stay there until they decide the creature has gone. The group flees, screaming in terror through blood-spattered corridors. Something pounces on the guard as he nears a corner, dragging him out of sight. ![]() They tell him that one of their crew has gone missing but the guard tells them to Tunnel quickly follow him and get out. They hear noises of a person calling down, and come upon the security guard that had earlier refused them entry. The less-is-more approach is visually effective, but the screenplay could easily have produced extra intrigue and sent a few more shivers up auds’ spines by supplying some speculation on the source of what’s lurking in the darkness.The crew ventures through the tunnel, wishing to find a way out. Only real downside is a failure to reveal anything about the malevolent presence. Special kudos goes to Steve Davis, a real-life cameraman who performs impressively while also filming a sizable portion of the finished product. Making the most of super-atmospheric locations never previously seen in an Aussie feature, debut helmer Carlo Ledesma is well served by his convincing quartet of thesps. Though many viewers will instantly mark accompanying reporter/second cameraman Peter Ferguson (Andy Rodoreda) and sound recordist Tangles (Luke Arnold) as victims, that does not prevent the film from generating and sustaining suspense once the party starts hearing strange sounds and catching almost subliminal glimpses of “something” in the labyrinth. Purporting to be based on “true events and police evidence” from 2007, the story centers on a TV news crew investigating links between a controversially aborted government project involving disused subway tunnels and rumors of homeless people disappearing without trace in the subterranean warren.Ī tad slow at first, the pace picks up when interviews with traumatized ex-journalist Natasha Warner (Bel Delia) and straight-talking cameraman Steve Miller (Steve Davis) are intercut with material filmed during their unauthorized journey beneath the city. What’s certain is that it will be seen by far more auds than could ever have been anticipated using traditional distribution methods. By first raising funds online and now inviting downloaders to pay a voluntary viewing fee of however much they wish, Tedeschi and Harvey’s approach in some respects bears comparison with the online marketing of Radiohead’s 2007 album “In Rainbows.” With approximately half a million downloads of “The Tunnel” to date, it will be interesting to see how its various revenue streams perform. Tedeschi and Harvey have broken new and provocative ground by openly supplying their pic for free download on the same peer-to-peer websites used to illegally distribute copyrighted content.
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